
Flickering Sites
video and stereo sound

the (e)scapegoat
for percussion duo and video

ef em ve
string quartet and sound

High Above – Down Under
soundwalk and concert at Skaugum

Sacrosanct Acts
series of photographs and a stereoscopic and binaural installation

Eight Ways To Approach Modern Architecture
Video and sound

High Above
site-specific work at Røds Brug

Double portrait Oslo – Castro Marim
site-specific work / installation

Totem poles of Lofoten
photographic series

En Engel i Berlin?
publication

Avstandsriss – Setesdal
archival work

from The Hinterland Archives
a performance lecture

Portraits and Planets
recording

Hinterland Archives
for ensemble, video and sound

Utøya
soundwalk, video and photographs

Arbeidstittel: Lilleaker Folkets Hus
site specific work at Lilleaker

Fem Arbeidersanger
site specific sound art

solo for Frank
for one performer and one audience

Double Portrait in Rooms
sound art and painting

Her
Singing, dance and theater melts together in one expression. A solo performance between contemporary opera and dance theater, where the personal meets the collective memory.

Vortex Room
harp and 36 loudspeakers

What the Body Does Remember
Synthetic memories and personal memories and experiences are intertwined into a type of auto drama for the performer. The different memories gets uncovered when she constantly re-visits these stories and bodily deposits.

Den åttende dagen
Based on Draumkvedet, a Norwegian folk song about a visionary dream, as sung by Margit Bø recorded in 1936. (2015)

Den tredje, første, andre, syvende og åttende dagen
Pieces for the album Stille-stykkje, pianist Ingfrid Breie Nyhus (2015)

Pøl Pøl Løp
A collaboration between Gunnar Wærness and Erik Dæhlin. Also with Amund Sjølie Sveen, Silje Aker Johnsen, Frank Havrøy and asamisimasa. (2015)

Monoøret
Monoøret monolog (work-in-progress) for Frank Havrøy. Sound, set-up and visuals by Erik Dæhlin based on a text and figures by Gunnar Wærness

The Escape Goat
Two classical guitars, sound and video. For Frevo Guitar Duo. (2015)

Absence Is The Only Real
A concert installation piece about the absence of fathers. With Håkon Mørch Stene (2014)

Nasjonalcollage
27 nasjonalsanger som en del av Norges nasjonalsang. For korps og kor. (2014)

Avstandsriss
An archive project. Based on the sound archive in Norwegian Collection of Folk Music ; Norsk Folkemusikksamling. With Ingfrid Breie Nyhus. (2014)

Portraits
A series of shorter pieces for chamber ensemble of different configurations. Portraits of different women from different times in human history. (2014)

Desiring Machines
An experimental opera based on a series of mythical female figures. (2013)

On Return To Scale
A scenic concert around space and sound. (2013)

Ear of Dionysos
One bar for John Cage

this time is different
For ensemble. (2012) Workshop version with Bit20/Borealis. The larger version includes spoken and shown text about economical issues, human nature, human conditions etc.

On Transposing Distance
for violin and sound

sovereign
Musikkteaterminiatyr for 3 utøvere (glass, gitar og fløyte), lydobjekter/lydfiler, tekst, video og figurer.
Passage Barré (version II)
for flute and electronics. (2004/2011)

Bildebeskrivelse
Live text and sound installation. (2011)

Our Picture Is Continuous Fractions
«Our picture is continuous Fraction» is a scenic performance by composer Erik Dæhlin, choreographer Therese Markhus and set designer Christina Lindgren. (2011)

hest, fugl , folk
Et samarbeidsprosjektet mellom Gunnar Wærness og Erik Dæhlin. (2010)

Fembot Bacchanale
For percussion trio, sound and video. (2010)

Flenge
For video og performer. (2010)

Double Portrait Of Erika
For choir of six voices. (2010)

America
For one performer, live video and sound. (2009)

On.Taps
For percussion solo and electronics. (2009)

Stirrings
For young musicians. (2009)

Singing on a Bench
For solo viola, sound and text. (2009-10)

Disparate Scenes
Piece for flute, clarinet, saxofon, voice, piano, percussion, violon, cello and electronics.
Reading The Lips Of Mr. M
for solo piano. (2009)

Saturation Is That
For ensemble and sound.

be_Schrei_be_n
For four performers and sound

On/Off
En iscenesatt konsert
Hode, Splitter, Linjen
For the On/Off performance
klokkeklang
For violin, cello, piano and quartertone marimba and 5.1 electronics. (2007)
Do We Have Him Now?
For radio. (2007)

Huske
Installation. (2006)

We Are I Am
For voice and ensemble.

On. Always
For performer, gun shells, video and electronics.
Head On
For performer, live electronics, sound, video and light.
Mozart, Sinding, You & Me
For 13 instruments. (2006)
Mozart, You & Me
String sextet. (2008)
Titan
A revised version will come out as soon as we got a new moon…
Triptych for Radio
(2005)
Waves To Be Beaten, Conquer The Horizon
For 2 percussionists and electronics. (2005)
Seul Pres Du Passage
For marimba. (1999/2005)
Chyt
Micro melodrama for 2 voices and piano. (2004)
For Tora
For flute/performer and electronics. (2001)
spas
For performer/percussion. (2000)
Traces et Instantanés
For piano. (1998)