To arbeider hvor jeg undersøker området mellom Akerselvas og Tøyenbekkens utløp i Bjørvika, samt Guadianas elvedelta helt sør-øst i Portugal.
For an exhibition at the Munch Museum (2018)
Artistic explorations of the Lilleaker Folkets Hus, its surroundings and the labour movement. (2019)
Singing, dance and theater melts together in one expression. A solo performance between contemporary opera and dance theater, where the personal meets the collective memory.
Synthetic memories and personal memories and experiences are intertwined into a type of auto drama for the performer. The different memories gets uncovered when she constantly re-visits these stories and bodily deposits.
For ensemble and sound (2016-2019)
A concert installation for harp and 36 loudspeakers. (2016)
Based on Draumkvedet, a Norwegian folk song about a visionary dream, as sung by Margit Bø recorded in 1936. (2015)
Pieces for the album Stille-stykkje, pianist Ingfrid Breie Nyhus (2015)
A collaboration between Gunnar Wærness and Erik Dæhlin. Also with Amund Sjølie Sveen, Silje Aker Johnsen, Frank Havrøy and asamisimasa. (2015)
Monoøret monolog (work-in-progress) for Frank Havrøy. Sound, set-up and visuals by Erik Dæhlin based on a text and figures by Gunnar Wærness
Two classical guitars, sound and video. For Frevo Guitar Duo. (2015)
A concert installation piece about the absence of fathers. With Håkon Mørch Stene (2014)
27 nasjonalsanger som en del av Norges nasjonalsang. For korps og kor. (2014)
An archive project. Based on the sound archive in Norwegian Collection of Folk Music ; Norsk Folkemusikksamling. With Ingfrid Breie Nyhus. (2014)
A series of shorter pieces for chamber ensemble of different configurations. Portraits of different women from different times in human history. (2014)
An experimental opera based on a series of mythical female figures. (2013)
A scenic concert around space and sound. (2013)
One bar for John Cage
For ensemble. (2012) Workshop version with Bit20/Borealis. The larger version includes spoken and shown text about economical issues, human nature, human conditions etc.
For violin and sound. (2012)
Musikkteaterminiatyr for 3 utøvere (glass, gitar og fløyte), lydobjekter/lydfiler, tekst, video og figurer.
for flute and electronics. (2004/2011)
Live text and sound installation. (2011)
«Our picture is continuous Fraction» is a scenic performance by composer Erik Dæhlin, choreographer Therese Markhus and set designer Christina Lindgren. (2011)
Et samarbeidsprosjektet mellom Gunnar Wærness og Erik Dæhlin. (2010)
For percussion trio, sound and video. (2010)
For video og performer. (2010)
For choir of six voices. (2010)
For one performer, live video and sound. (2009)
For percussion solo and electronics. (2009)
For young musicians. (2009)
For solo viola, sound and text. (2009-10)
Piece for flute, clarinet, saxofon, voice, piano, percussion, violon, cello and electronics.
for solo piano. (2009)
For ensemble and sound.
For four performers and sound
En iscenesatt konsert
For the On/Off performance
For violin, cello, piano and quartertone marimba and 5.1 electronics. (2007)
For radio. (2007)
For voice and ensemble.
For performer, gun shells, video and electronics.
For performer, live electronics, sound, video and light.
For 13 instruments. (2006)
String sextet. (2008)
A revised version will come out as soon as we got a new moon…
For 2 percussionists and electronics. (2005)
For marimba. (1999/2005)
Micro melodrama for 2 voices and piano. (2004)
For flute/performer and electronics. (2001)
For performer/percussion. (2000)
For piano. (1998)